Wednesday, May 14, 2014

The English Sound In The Late Medieval Catholic Church


The English Sound In The Late Medieval Catholic Church
by Anne E. Johnson

One of Charlemagne's patronize influences on European culture dealt with how liturgical chant was second hand by the Catholic Religious. Before the ninth century and the formation of the Sanctified Roman People, each district of Europe had its own tradition of before a live audience for Catholic deference. Since he came to power, Charlemagne realized that standardizing the rituals of the Religious would help his People regularize its patronize cut up peoples. He looked to the monasteries of England, everyplace some of the world's best scholars dwelled, and hired a preacher named Alcuin to frame a assortment of chants to become the pompous music of Catholics someplace and dislocate the confined styles.

To bring up these all-purpose chants, Alcuin attractive to yank one of the confined types of chant to use as a starting symbol. Captivatingly, he did not accept the very changed Sarum rite principal in England. On the other hand, he chose Charlemagne's sweet, a comportment of chant now communal as Old Roman, which was other second hand in Charlemagne's citizen Frankish lands (i.e., Germany).

In order to plead your case Catholics that varying their deference at Charlemagne's manage was a command from God, Alcuin's people started a very silver-tongued rumour: It was claimed that, once more 200 existence by means of, God had sent a dove to Pope Gregory I to sing God's singled out chants all the rage the Pope's ear. Persons songs, according to the story, were the on your own pompous chant of the Catholic Religious. Between this story to enlighten them, Alcuin's new melodies became communal as Gregorian Prayer, and European monasteries did happen these songs once more the coming century.

England, while, center purely strain from Europe, was a erstwhile holdout, guilty their confined Sarum rite anyway Charlemagne's domination. Oddly enough, this British tenacity resulted in clear-thinking developments in music history. In precise, the way monks ornamented or matched adjacent to their chant was changed in the Catholic world. The prosperous move fast of English polyphony was caused by the way English monks second hand "chords" (in modern terminology) in ways that nil in Europe had misgiving of yet, in an English Catholic before a live audience tradition called "faburden."

By the fifteenth century, ache whilst Charlemagne, it became strong to French and Flemish composers that the English church music had a very special satisfactorily that did not be located on the Continent. They referred to the delightfulness and breadth of English harmonies as the contenance angloise. At home is an example by the fifteenth-century English singer John Dunstable:

QUAM PULCHRA ES


In the past the Norm Ages, British composers continued to show with using that patented English breadth in in addition and in addition refined ways. At home is an example from the hurried seventeenth century by William Byrd:

TU ES High priest OVIUM


Continental composers came up with a way to slant that special English satisfactorily, and music would never be the extremely. All the brilliant European Rebirth musicians, and even illustrious Florid composers wish Vivaldi and Bach, can evidence the breadth of their counterpoint back to the European co-opting of the contenance angloise. Thank aristocracy the English said onto their inventiveness, or the copy music tradition would possess turned out very differently!

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FOR Bump up Alongside


Trend, Margaret. Dunstaple. London: Oxford University Massage, 1981.

Bullough, Donald A. Alcuin: Coup d'?tat and Kudos. Leiden; Boston: Brill, 2004.

Ache, Kenneth R. Music of the English Religious. London: Hodder ">McKitterick, Rosamond. Charlemagne: The Formation of a European Structure. Cambridge, UK; New York: Cambridge University Massage, 2008.

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Anne E. Johnson taught music history for fifteen existence at Mannes Conservatory - The New Speculative for Music in New York. She now writes falsehood, in the midst of historical novels for kids. Her English medieval mystery, Thorny problem at the Scriptorium, is about a boy who finds a secret message in a chant book. Give a lift to in addition about Anne at her website, http://anneejohnson.com.

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