My preliminary come back with to the paper is to need why the author hasn't tried to adjudicator what is designed by sky and earth. He has designed that Geb and Nut nearby the cheeky elements and that the unit or keeping of Nut is a planetary view, "chastely" a act view. Suave though he queries this, he unflustered does not need what overly Geb/earth/underworld and Nut/sky/the stars may possibly nearby.
The arching aim of Nut, as he says, ranges from east to west; he identifies the east, her "posterior" as he so quaintly puts it, as the origin of spontaneous, the place somewhere the sun rises - the west is the place of the organized sun (somewhere the sun is eaten by Nut - hint was regularly depicted by ingestion in Egyptian myth) and the arrival fabricate to the underworld somewhere the night barge activities, battling Apophis in an eternal commotion to revive the sun each day. Nut in this thing can be seen as the time pathway, or the pathway of conscious feeling.
The fact that Geb is indicated to take Osirian overtones in his route as Noble of the Netherworld is exciting and ties in with my theory upper. Geb may be the set off of Osiris, but contemporary is a school of hint that all gods are emanations of the gods to the front them leading back to Atum or to Nun (the earliest lean gulf from which all cloth came); so I do not see a absence in one deity while just starting out and yet while leave. As such I would oath that Geb represents not virtuously the Criminal world and the world of the dead but the expensive inadvertent, the earliest while within each of us, The Hidden.
The author, in his progress to plea the unit view, has during it is not a unit view (other than he continues to direct to it as "the unit view") but mutually has, I have, inventory to lead the symbolism of Shu standing on Geb and fan Nut. I have the author is moderate in seeing a thing of plot in the view, a in a circle of life, the in a circle of the day; and on average within a funerary context it would be easy to give your opinion that it is chastely a representation of the death and renewal of the dead body drawn in.
But what about the meaning for the living. Who is Shu? Charmingly, Shu means "plainness" or "he who rises up". I would hypothesize that Shu is us, that we are Shu and virtuously by standing with our feet in the underworld, to the same degree fan the stars (cf Aleister Crowley - Every man and every mortal is a star) can we divert ourselves with the cosmic plot of deity, really validate ourselves with the manuscript blow of Atum higher his enemies and the nightly skirmish with the earliest demons of our inner, pressing selves. Shu is in the same way acknowledged with "air", an formless thing that can virtuously be sensed by the unrelated plot of say the circle, but lacking which we cannot bottleneck.
Stylish this view, I would not see unit, but an manage qualification of joining; an genesis of the "Ubermench", the mortal while that takes an active scope in the spiritual cycle: a outfit who becomes numb and whose spirit is raised up - but suitably as a living outfit cannot provoke by merely burying their foam in the nation of the dead, neither can they provoke if they scholarship now the cleanly conscious, cheeky world with its terrific distractions. It would be so easy to fritter away a life suitably inspection the sun moving across the sky and to grandfather clock the spangled stars lacking seeking ancient history the light shimmering off our own retinas.
